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Beatles Guitar Lessons Packages
The Beatles Songs Mega Pack - Klikk Da Pic å lære mer ...
Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

Denne nye leksjoner pakken inneholder sanger fra våre individuelle Beatles Lessons Pakker Volumes 1,2,3 og er 30 komplette gitartimer. For første gang noensinne kan du kjøpe denne Super Pakke med 30 Beatles klassikere for en begrenset tid. Akkurat nå tilbyr vi levetid tilgang til disse leksjonene for en begrenset tid. Denne videoen leksjon serien er fagmessig undervist av Neil Hogan lærer deg noen av de beste gitar sanger av The Beatles. Inkluderer kategorien, diagram, og Guitar Pro-filer.

Denne nye leksjoner pakken inneholder sanger fra våre individuelle Beatles Lessons Pakkevolum 1,2,3

Volume 1

1) Across The Universe

Across The Universe er en sang skrevet av John Lennon som dukket opp på Let It Be. Den åpner med et par særegne akkorder flytte opp og ned i halsen, legger seg deretter inn i en fin akkord progresjon i nøkkelen til D. Det er noen midlertidige endringer involvert, som i mange Beatles-låter.

2) Blackbird

Blackbird er en sang hver gitarist bør lære å spille. Denne solo melodi av Paul McCartneys bruker en jevn alternerende plukking teknikk som er et flott sted for begynnelsen fingerpickers å starte. Lærdommen snakker også litt om Paulus 'uortodoks teknikk som er på en mer middels til avansert nivå.

3) Day Tripper

Day Tripper er trolig en av de mest anerkjente riff-basert sanger i historien om rock and roll. Den viktigste delen av sangen ble sannsynligvis skrevet av John Lennon, og det er stort sett hva denne leksjonen fokuserer på. Melodien inneholder så noen barre akkordar i refrenget.

4) Dear Prudence

Kjære Prudence er en av John Lennons delikat fingerpicking brikker inneholder det Travis-stil akkompagnement han lærte fra Donovan under sitt besøk i India i 1968. Det spilles i Droppet D Tuning og er veldig konsekvent i de teknikkene som trengs.

5) Norsk Wood

Norske Wood er en enkel folkevise, skrevet av John Lennon som inkluderer en klimprer teknikk der melodien er plukket ut på de midterste strengene i løpet av klimprer akkorder. Dette er litt av et enkelt eksempel på en Chord Solo.

6) Noe

George Harrison virkelig begynte å komme inn i sin egen som låtskriver nær slutten av Beatles karriere og noe kan være hans kronen på verket som et medlem av gruppen. Denne leksjonen ser i hovedsak på hvordan George spilte solo, i nøkkelen av A, slik det dukket opp på Anthology album.

7) To av oss

To av oss er en annen McCartney låt fra Let It Be album som er stort sett en enkel strummer men inkluderer en fin åpning riff, samt noen taktskiftene som gjør det viktig å telle nøye.

8) Yellow Submarine

Yellow Submarine ble skrevet av John og Paul som en melodi for Ringo å synge. Det er en helt grunnleggende Campfire sang, selv om det er noen en-beat endringer som kan være litt utfordrende. Nivå 3 En av Paulus 'største sanger * I går * kan spilles med enkle klimprer akkompagnement som Paulus brukte eller plukket finger.

Denne leksjonen ser på begge tilnærminger, samt en måte å gjøre det til en Chord Solo.

10) Du har Got To Hide Your Love Away

Du har Got To Hide Your Love Away er en av John Lennons folk-stil sanger som er fra filmen Help. Det inkluderer det meste akkorder i nøkkelen av G at alle holde 4 ^ th finger på den høye G (1 ^ st streng, 3 ^ rd slite). Det inkluderer også en fin synkende bass løp som går fra D til G som forekommer i mange andre sanger.

Volume 2

1) Jeg elsker henne

Og jeg Love Her er et av våre mest etterspurte Beatles-sanger. Denne multi-delen Target Leksjon lærer både rytmegitar del og en kort titt på bly George.

2) Bursdag

Bursdag er et klassisk eksempel på å ta et enkelt riff, slippe det inn i en 12-takters blues format, legge noen fengende vokal over en kort akkord progresjon, kaste i en liten tromme pause og gitar fyll, og skape stor rock and roll i en løpet av bare et par dager. Paul kom opp med hoved riff og styrte sangen gjort av tiden resten av bandet var tilbake i studio. Denne leksjonen inneholder en Campfire versjon, slik jeg liker å ha nybegynnere lære det grunnleggende av sangen, så vel som en One-Man Band versjon der rytme gitar og bass deler kombineres til noe litt mer utfordrende. Ledningen delen inneholder noen teknikker oftere gjort på en elektrisk gitar, bend, lysbilder og rask hammer-on pull-off kombinasjoner.

3) Hey Jude

En kort leksjon på Hey Jude tar Paul McCartneys piano melodi og ser på det som en enkel klimprer sang, mer i Campfire stil. Det inkluderer også en allsang og noen tips om å snu den til en instrumental ved å plukke ut melodien, selv om mange av de spesifikke detaljer er overlatt til den enkelte student.

4) Jeg vil følge The Sun

Jeg vil følge The Sun er en veldig tidlig Paul McCartney sang med en veldig enkel akkord progresjon og kort bly. Dette Bål sangen er veldig spillbar ved å begynne gitarister så snart du kan spille en F akkord, selv om den sperret versjonen er å foretrekke. Vi ser også på å innlemme den 8-notatet føre inn i klimprer.

5) Jeg har nettopp sett A Face

Jeg har nettopp sett A Face er et bluegrass flavored flatpicking sang av Paul McCartneys fra Hjelp-album. Akkompagnement inkluderer en rask landet mønster for å treffe basstonene, hvorav noen er hamret på, og bruker også passerer notater å koble akkordene. Demonstrasjonen går også over to akustiske gitar spilte som en intro, og George korte bly pause.

6) Julia

I 1968 Beatles lært litt om Fingerpicking fra Donovan mens de var i India for en kort tid. Dette resulterte i en mye mer raffinert gitarlyd for et par sanger på 'White Album', inkludert John Lennons Julia. Denne leksjonen bruker John stadige vekslende bass fingerpicking mønster med noen uvanlige Akkord stemmer, og viser nøyaktig hvordan han spilt originalen, inkludert en capo på den andre slite.

7) Strawberry Fields Forever

Ved slutten av 1966 Beatles var i tung produksjon og prosessering i studio, å være fri til å tilbringe så mye tid som de ønsket på en bestemt sang. Denne perioden av kreativitet produserte noen av sine mest forseggjorte sanger, hvorav de fleste kanskje ikke synes tilpasningsdyktig til å spille solo og synge. Men de fleste av dem begynte å være enkle gitar sanger. Strawberry Fields Forever, startet av John da han var skyting en film i Spania, begynte på denne måten, og vi er heldige som har tilgang til noen svært tidlige innspillinger som John var i vane med å samle alle sine ideer som de utviklet. Denne leksjonen kombinerer noen versjoner, men er for det meste hentet fra den ene utgitt som Ta en, på Anthology 2, med tillegg av innføringen arrangert for solo gitar.

8) Ticket To Ride

En annen oppføring i vår kortere serien er Ticket To Ride også fra Hjelp. Dette er et godt eksempel på hvordan en låtskriver (Paul McCartney) kan ta en veldig enkel melodisk riff avledet fra en akkord, og lage et strålende stykke pop. Noen barre chords er nødvendig, men ellers er dette en svært tilgjengelig melodi.

9) Kan vi Work It Out

Mange av Beatles-sanger gjøre store bål sanger og vi kan jobbe Det * Ut * er et utmerket tillegg til vårt bibliotek. Så enkelt som mange av sine låter er, ganske mye hver og en har noen uvanlige vendingene som tilbyr gode læringsmuligheter. Vi kan finne ut av det har en veldig interessant rytmisk forandring, samt noen akkorder med uvanlige basstoner. Vi selv forsøke en multi-bånds barre på ett punkt.

10) Mens My Guitar forsiktig gråter

En annen av de øverste valgte lærdommen her på TG var Mens My Guitar forsiktig gråter, av George Harrison. Sangen dukket først opp på The Beatles 'White Album, offisielt kalt The Beatles, og denne leksjonen ser på rytmegitar del til at den versjonen, samt George akustiske demoversjon som dukket opp på Anthology 3.

Volume 3

1) Here Comes The Sun

Here Comes The Sun er en lekse vi har hatt en delvis versjon av her på TG siden tidlige dager. Neil har endelig satt sammen den fullstendige versjonen for vår Target Program. Sangen ble skrevet av George Harrison i Eric Claptons hage, som vinteren 1969 var å slå til våren i England. Denne leksjonen går i detalj om teknikker George brukes til å lage denne akustiske mesterverk.

2) Jeg føler meg fin

Jeg føler meg bra er stort sett en enkel, men effektiv riff hentet fra blues skala og brukes på en modifisert 12-bar format. Denne sangen er også kjent for å være den første til å bruke kontrollert tilbakemelding på et opptak. Level6

3) I Want You

I Want You er en sang med to forskjellige personligheter, en modig, bluesy delen der ledelsen gitaren dobler John vokal, og en semi-klassisk tastatur arpeggio med en noe skummel lyd. Begge deler er adressert i denne leksjonen med arpeggio blir gjort finger og bluesy delen med standard flatpicking teknikk.

4) Jeg skal tilbake

Jeg skal tilbake er et annet eksempel på en stor Beatles låt som er mest klimprer men inkluderer en smart åpning slikke, samt endringer i tonalitet fra dur til moll, ulikt noe annet rockemusikere gjorde på den tiden.

5) Jeg Looking Through Du

Rubber Soul inkluderte mange akustiske orienterte sanger og Paulus 'Jeg Looking Through Du var en av de som hadde en fin folkemusikk-swing føler for det. Denne leksjonen dekker måten det ble spilt på den opprinnelige utgivelsen, samt en tidligere uttak som dukket opp på Beatles Anthology 2 på midten av 1990-tallet. Den versjonen hadde mer av en bluesy stemning. Leksjonen inneholder også en kort organ fyll som passer fint inn i en sperret G akkord. Nivå 4

6) I My Life

I My Life kan betraktes som den første sangen til å ta The Beatles til et høyere nivå som låtskrivere. Det ser ut til å være litt mer samarbeids enn de fleste av sine sanger, men John og Pauls minner om sin begynnelse avvike noe. I denne leksjonen skal vi se på en grunnleggende rytme akkompagnement og George åpnings bly slikke, så vel som en litt mer komplisert akkompagnement til tastaturet solo.

7) Let It Be

Let It Be er en stor klimprer og sang låten en akkord progresjon som er mye moro å øve spille leads bruker Major pentatoniske skala. Dette 4-Part TARGET leksjon dekker rytmen gitardel og noen av pianoet fylles, samt en diskusjon om bly spiller generelt.

8) Michelle

I 1965 The Beatles sound var i endring, som det fortsatte å gjøre for de neste fem årene, og Rubber Soul, utgitt sent dette året inkluderte ganske mange akustiske sanger. Michelle, hovedsakelig skrevet av Paul hjelp biter og stykker fra noe han opprinnelig hadde som en munter fransk høres ditty, er et godt eksempel på en av disse. Gitaren er spilt med en capo på femte gnage, og skaper en noe delikat lyd. Denne leksjonen omfatter gitar akkompagnement, så vel som den korte lede inkorporert i en akkord Solo.

9) Penny Lane

En sang som på første øyekast virker ikke veldig spillbar, kan Penny Lane gjøres ved å innarbeide det i en gitar vennlig tasten (D-dur), og fokusere mer på bevegelige bass del heller enn raske akkordskifter.

10) Med litt hjelp fra mine venner

Det er mange nyanser i den innspilte versjonen av med litt hjelp fra mine venner som er ganske utfordrende å innlemme i en solo gitar akkompagnement versjon. Denne leksjonen snakker om komplekse taktarter, fungerer på en perkussiv klimprer mønster ved hjelp av en masse barre chords, og inneholder noen av bly George fyller. Nivå 5

For første gang noensinne kan du kjøpe denne Super Pakke med 30 Beatles klassikere for en begrenset tid. Akkurat nå tilbyr vi levetid tilgang til disse leksjonene for en begrenset tid. Denne videoen leksjon serien er fagmessig undervist av Neil Hogan lærer deg noen av de beste gitar sanger av The Beatles. Inkluderer kategorien, diagram, og Guitar Pro-filer.

Jethro Tull Guitar lessons Package
Jethro Tull Package - Klikk Da Pic å lære mer ...
Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

En av de mest interessante bandene som kommer ut av 1960-tallet var Ian Andersons roterende gruppe engelske musikere kjent som Jethro Tull. Bandet startet i en blues retning, men deretter ledet inn i en ukjent verden som kan anses som Progressive Folk. Andersons virtuos fløyte og akustisk gitar ferdigheter kombinert vakkert med Martin Barre sin elektriske gitar stylings og kuttet en svært særegen bane. Dette settet med leksjoner fokuserer hovedsakelig på noen av de akustiske mesterverk med noen rockere kastet i for godt mål.

1) Vi pleide å vite

Vi pleide å vite ble utgitt på den andre Jethro Tull album, Stand Up, som de var begynt å dra ut av sine bluesrøtter og inn i en mer progressiv retning. Den har en interessant akkord progresjon som den bruker mange akkorder som bare er tilgjengelige i den melodiske mollskalaen. Denne gitaren leksjonen forklarer forholdet mellom akkorder, klimprer i 6/8 takt, og en måte å legge til en andre gitar del ved hjelp av delvis akkorder opp i nakken. Enhver likhet med Hotel California (skrevet mange år senere) er rent tilfeldig.

2) Aqualung

Aqualung var en av de første sangene (og album) for å virkelig bringe oppmerksomhet til Jethro Tull og sin fryktløse leder, Ian Anderson. Dette kort leksjon går over hoved riff og sett av følgende kraft akkorder, samt akustisk gitar akkompagnement til den midtre delen av sangen. Nivå 5

3) Hymn 43

Hymn 43 ble skrevet av Ian Anderson og utgitt på den klassiske Jethro Tull album Aqualung i 1971. Albumet består av ganske spekter av lyder og stiler, og denne sangen er basert på et enkelt riff, noen enkle akkordskifter, og et par fin liten gitar fyller. De fleste av sangene Ian Anderson skriver, og særlig hans akustiske gitar sanger, er svært utfordrende. Salme 43 er mer av en elektrisk gitar sang og denne videoen gitar leksjon blir presentert i fire deler, som inkluderer en nærmere titt på de akkorder og venstre hånd teknikker, en seksjon-by-seksjonen sammenbrudd, og en lek sammen segment med en metronom.

4) opp til meg

Aqualung holdt ganske mange riff-baserte låter og opp til meg, som Hymn 43, er en annen en med enkle akkordskifter, en killer riff, med et pastoralt bro kastet i for litt variasjon. Denne leksjonen ser på noen av de vanligste tilskuddene Ian Anderson legger til hans rytmegitardeler også en egen titt på hvordan han nå utfører den leve, i en annen toneart enn den opprinnelige.

5) Wond'ring Aloud

Wond'ring Aloud er en vakker ballade / folkesang gjemt i midten av Aqualung, med Jethro Tull. Det er et perfekt utstillingsvindu for den utsøkte gitarstil av Ian Anderson. Denne milde sangen er i 3/4 gang og har noen tiltak av enkel klimpring, noen forbinder kjøringer av basstoner, stor bruk av hammer-ons og pull-offs, og noen svært komplekse syncopations som gjør det svært utfordrende. En enkel akkord diagram er inkludert for en versjon som er veldig spillbart ved å begynne gitarstudenter, samt detaljerte fanen som er svært nøyaktig til den faktiske versjonen undervist i leksjonen.

6) Mother Goose

En av de mest intrikate akustisk gitar sanger fra Jethro Tull er Aqualung er Mother Goose. Dette er Ian Anderson på hans intrikate og vimsete beste. Sangen spilles med en capo på femte bånd, bidrar til å skape en av hans lyder signatur, og bruker noen enkle, hvis noen ganger uvanlige akkorder. Hovedutfordringene i sangen er den raske og presise alternative plukking teknikk, og stor bruk av off-beat synkoperinger.

7) Locomotive Breath

Locomotive Breath, fra Aqualung, er en flott sang å lære å klimpre bruke konstant høyre motion teknikk. Du egentlig bare trenger å treffe en aksent akkord på første beat av tiltaket og deretter holde en jevn flyt av åttende notater spilt percussively (demping strengene). Det gir deg også en mulighet til å praktisere barre akkordar fra A Major form, en av de mest vanskelig for mange mennesker.

8) Thick As A Brick

En sang som vi har til hensikt å fullføre en leksjon om siden dag en på totallyguitars er Thick As A Brick av Ian Anderson og hans alter ego, Jethro Tull. Den har svært intrikate og rask flatpicking med komplekse synkoperinger, som alle må fortsette når sangen kommer inn, og det er alt bare i de første 30 sekunder. Resten av del 1 av denne 45-minutters mesterverk er mye moro å spille, og vil presentere litt av en utfordring for selv svært dyktig gitarister, selv om mye av sangen er enkel klimprer. Selv om dette vil måtte anses som en avansert gitar leksjon, kan det være svært tilgjengelig for mellom gitar studenter hvis de jobber på hver del veldig sakte. Leksjonen inneholder en komplett spille gjennom og detaljert instruksjon på hver av delene, en 60-minutters leksjon på en tre-minutters sang.

9) Living In The Past

Living In The Past ble utgitt som singel i Storbritannia i 1969, men ble Jethro Tull sin første topp 40 hit i USA da den ble utgitt der i 1972. Det er en av et svært lite antall sanger skrevet i 5/4 tid og leksjonen går over klimprer på denne tiden svært omfattende. Den bruker også barre akkordar eksklusivt, høyt oppe på halsen, endrer seg raskt. Det kan spilles med 4-strengs versjonen av de vanligste barre akkordar og denne tilnærmingen er dekket i tillegg.

10) Skating Away

Ved å nå alle bør være klar over de utrolige talenter Ian Anderson, på mange nivåer. Skating Away (On The Thin Ice Of A New Day) * måtte betraktes som en av hans akustiske gitar klassikere. Sangen ble utgitt i 1974 på Jethro Tull album War Child, og er en av Ians mest komplekse og tungt synkoperte mesterverk. Dette detaljert leksjon går over gitar og vokal deler, samt hvordan du kan kombinere dem i en stor solo presentasjon.

Beatles Guitar Lessons Packages
The Beatles Volume 2 Package - Klikk Da Pic å lære mer ...
Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

Vår andre 10-Pack fra Fab Four berører mange av de stiler som de var kjent for å dekke. Vi har sentimentale ballader, finger plukke sanger, enkle klimprer sanger med fascinerende akkordprogresjoner, litt bluegrass flatpicking, noen med psykedeliske tendenser, og et par av elektrisk gitar spesialiteter.

Volume 2

1) Jeg elsker henne

Og jeg Love Her er et av våre mest etterspurte Beatles-sanger. Denne multi-delen Target Leksjon lærer både rytmegitar del og en kort titt på bly George.

2) Bursdag

Bursdag er et klassisk eksempel på å ta et enkelt riff, slippe det inn i en 12-takters blues format, legge noen fengende vokal over en kort akkord progresjon, kaste i en liten tromme pause og gitar fyll, og skape stor rock and roll i en løpet av bare et par dager. Paul kom opp med hoved riff og styrte sangen gjort av tiden resten av bandet var tilbake i studio. Denne leksjonen inneholder en Campfire versjon, slik jeg liker å ha nybegynnere lære det grunnleggende av sangen, så vel som en One-Man Band versjon der rytme gitar og bass deler kombineres til noe litt mer utfordrende. Ledningen delen inneholder noen teknikker oftere gjort på en elektrisk gitar, bend, lysbilder og rask hammer-on pull-off kombinasjoner.

3) Hey Jude

En kort leksjon på Hey Jude tar Paul McCartneys piano melodi og ser på det som en enkel klimprer sang, mer i Campfire stil. Det inkluderer også en allsang og noen tips om å snu den til en instrumental ved å plukke ut melodien, selv om mange av de spesifikke detaljer er overlatt til den enkelte student.

4) Jeg vil følge The Sun

Jeg vil følge The Sun er en veldig tidlig Paul McCartney sang med en veldig enkel akkord progresjon og kort bly. Dette Bål sangen er veldig spillbar ved å begynne gitarister så snart du kan spille en F akkord, selv om den sperret versjonen er å foretrekke. Vi ser også på å innlemme den 8-notatet føre inn i klimprer.

5) Jeg har nettopp sett A Face

Jeg har nettopp sett A Face er et bluegrass flavored flatpicking sang av Paul McCartneys fra Hjelp-album. Akkompagnement inkluderer en rask landet mønster for å treffe basstonene, hvorav noen er hamret på, og bruker også passerer notater å koble akkordene. Demonstrasjonen går også over to akustiske gitar spilte som en intro, og George korte bly pause.

6) Julia

I 1968 Beatles lært litt om Fingerpicking fra Donovan mens de var i India for en kort tid. Dette resulterte i en mye mer raffinert gitarlyd for et par sanger på 'White Album', inkludert John Lennons Julia. Denne leksjonen bruker John stadige vekslende bass fingerpicking mønster med noen uvanlige Akkord stemmer, og viser nøyaktig hvordan han spilt originalen, inkludert en capo på den andre slite.

7) Strawberry Fields Forever

Ved slutten av 1966 Beatles var i tung produksjon og prosessering i studio, å være fri til å tilbringe så mye tid som de ønsket på en bestemt sang. Denne perioden av kreativitet produserte noen av sine mest forseggjorte sanger, hvorav de fleste kanskje ikke synes tilpasningsdyktig til å spille solo og synge. Men de fleste av dem begynte å være enkle gitar sanger. Strawberry Fields Forever, startet av John da han var skyting en film i Spania, begynte på denne måten, og vi er heldige som har tilgang til noen svært tidlige innspillinger som John var i vane med å samle alle sine ideer som de utviklet. Denne leksjonen kombinerer noen versjoner, men er for det meste hentet fra den ene utgitt som Ta en, på Anthology 2, med tillegg av innføringen arrangert for solo gitar.

8) Ticket To Ride

En annen oppføring i vår kortere serien er Ticket To Ride også fra Hjelp. Dette er et godt eksempel på hvordan en låtskriver (Paul McCartney) kan ta en veldig enkel melodisk riff avledet fra en akkord, og lage et strålende stykke pop. Noen barre chords er nødvendig, men ellers er dette en svært tilgjengelig melodi.

9) Kan vi Work It Out

Mange av Beatles-sanger gjøre store bål sanger og vi kan jobbe Det * Ut * er et utmerket tillegg til vårt bibliotek. Så enkelt som mange av sine låter er, ganske mye hver og en har noen uvanlige vendingene som tilbyr gode læringsmuligheter. Vi kan finne ut av det har en veldig interessant rytmisk forandring, samt noen akkorder med uvanlige basstoner. Vi selv forsøke en multi-bånds barre på ett punkt.

10) Mens My Guitar forsiktig gråter

En annen av de øverste valgte lærdommen her på TG var Mens My Guitar forsiktig gråter, av George Harrison. Sangen dukket først opp på The Beatles 'White Album, offisielt kalt The Beatles, og denne leksjonen ser på rytmegitar del til at den versjonen, samt George akustiske demoversjon som dukket opp på Anthology 3.

Beatles Guitar Lessons Packages
The Beatles Volume 3 Package - Klikk Da Pic å lære mer ...
Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

Vår tredje pakke med Beatles-sanger fortsetter med en variert miks av akustiske klassikere, riff-basert rockere, sentimentale ballader, og noen 1960 psykedeliske lyder.

Volume 3

1) Here Comes The Sun

Here Comes The Sun er en lekse vi har hatt en delvis versjon av her på TG siden tidlige dager. Neil har endelig satt sammen den fullstendige versjonen for vår Target Program. Sangen ble skrevet av George Harrison i Eric Claptons hage, som vinteren 1969 var å slå til våren i England. Denne leksjonen går i detalj om teknikker George brukes til å lage denne akustiske mesterverk.

2) Jeg føler meg fin

Jeg føler meg bra er stort sett en enkel, men effektiv riff hentet fra blues skala og brukes på en modifisert 12-bar format. Denne sangen er også kjent for å være den første til å bruke kontrollert tilbakemelding på et opptak. Level6

3) I Want You

I Want You er en sang med to forskjellige personligheter, en modig, bluesy delen der ledelsen gitaren dobler John vokal, og en semi-klassisk tastatur arpeggio med en noe skummel lyd. Begge deler er adressert i denne leksjonen med arpeggio blir gjort finger og bluesy delen med standard flatpicking teknikk.

4) Jeg skal tilbake

Jeg skal tilbake er et annet eksempel på en stor Beatles låt som er mest klimprer men inkluderer en smart åpning slikke, samt endringer i tonalitet fra dur til moll, ulikt noe annet rockemusikere gjorde på den tiden.

5) Jeg Looking Through Du

Rubber Soul inkluderte mange akustiske orienterte sanger og Paulus 'Jeg Looking Through Du var en av de som hadde en fin folkemusikk-swing føler for det. Denne leksjonen dekker måten det ble spilt på den opprinnelige utgivelsen, samt en tidligere uttak som dukket opp på Beatles Anthology 2 på midten av 1990-tallet. Den versjonen hadde mer av en bluesy stemning. Leksjonen inneholder også en kort organ fyll som passer fint inn i en sperret G akkord. Nivå 4

6) I My Life

I My Life kan betraktes som den første sangen til å ta The Beatles til et høyere nivå som låtskrivere. Det ser ut til å være litt mer samarbeids enn de fleste av sine sanger, men John og Pauls minner om sin begynnelse avvike noe. I denne leksjonen skal vi se på en grunnleggende rytme akkompagnement og George åpnings bly slikke, så vel som en litt mer komplisert akkompagnement til tastaturet solo.

7) Let It Be

Let It Be er en stor klimprer og sang låten en akkord progresjon som er mye moro å øve spille leads bruker Major pentatoniske skala. Dette 4-Part TARGET leksjon dekker rytmen gitardel og noen av pianoet fylles, samt en diskusjon om bly spiller generelt.

8) Michelle

I 1965 The Beatles sound var i endring, som det fortsatte å gjøre for de neste fem årene, og Rubber Soul, utgitt sent dette året inkluderte ganske mange akustiske sanger. Michelle, hovedsakelig skrevet av Paul hjelp biter og stykker fra noe han opprinnelig hadde som en munter fransk høres ditty, er et godt eksempel på en av disse. Gitaren er spilt med en capo på femte gnage, og skaper en noe delikat lyd. Denne leksjonen omfatter gitar akkompagnement, så vel som den korte lede inkorporert i en akkord Solo.

9) Penny Lane

En sang som på første øyekast virker ikke veldig spillbar, kan Penny Lane gjøres ved å innarbeide det i en gitar vennlig tasten (D-dur), og fokusere mer på bevegelige bass del heller enn raske akkordskifter.

10) Med litt hjelp fra mine venner

Simon and Garfunkel Guitar Lessons Package
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Denne nye leksjoner pakken inneholder 10 Simon og Garfunkel sang leksjoner. Akkurat nå tilbyr vi ett års tilgang til disse leksjonene for en begrenset tid. Denne videoen leksjon serien er fagmessig undervist av Neil Hogan lærer deg alle de Simon og Garfunkel klassikere.

En. Lyden av stillhet
Album: Simon & Garfunkel - The Sounds Of Silence

Den første hit for Simon & Garfunkel ble opprinnelig spilt inn til albumet onsdag Morning 3 AM i 1964, men ble populært et år senere da plateselskapet remikset og overdubbed noen deler for å kle den opp litt. Denne leksjonen tar en nærmere titt på plukking gjort i begynnelsen og i første vers. Resten av sangen er vanligvis klimpret med en perkussiv mønster som inkluderer demping strengene på visse beats i hvert tiltak.

2. April Kom hun vil
Album: Simon & Garfunkel - The Sounds Of Silence

En annen tidlig Paul Simon sang som inneholdt en solo vokal del gjort av Art Garfunkel. Demonstrasjonen går over intro, en av Paulus 'signatur fingerpicked mønstre av akkorder opp halsen, før det legger seg noen grunnleggende Travis stil mønstre i nøkkelen til G. april Kom hun vil er et godt sted å begynne å lære noen av Paulus' fingerpicking teknikker .

Tre. Homeward Bound
Album: Simon & Garfunkel - Parsley, Sage, rosmarin og timian

Homeward Bound er et annet eksempel på Paul Simon kommer opp med en unik innledning som legger seg inn i noen gjenkjennelige fingerpicking mønstre og deretter inn noen milde klimprer. Det er litt vanskeligere enn noen av de andre på grunn av hastigheten til plukking og noen rask akkord endringer i kor.

4. Den dingler Conversation
Album: Simon & Garfunkel - Parsley, Sage, rosmarin og timian

En av de mest poetiske og inspirerende sanger fra Paul Simon sangboken, bruker The dingler Conversation noen grunnleggende fingerpicking mønstre og akkord inversjoner å skape en fredelig akkompagnement til Kunstens grasiøs sang. Den vekslende bass mønster inneholder noen hammer-ons og pull-offs, samt noen opp ned kombinasjoner av basstrenger. Dette er et annet godt utgangspunkt for å bli kjent med noen av Paulus 'teknikker.

5. Mrs. Robinson
Album: Simon & Garfunkel - Bookends

Mrs. Robinson var første hørt i filmen The Graduate, starring Dustin Hoffman og Anne Bancroft, mest brukt instrumentelt. Det ble deretter bearbeidet og gjennomført for albumet Bookends, utgitt i 1968. Lærdommen er mest klimprer åpne akkorder, men også ser på å innlemme den bluesy riff spilt om og E-dur akkord, samt en noe utfordrende flatpicked arrangement av verset.

6. Amerika
Album: Simon & Garfunkel - Bookends

Amerika er en av Paul Simons enklere klimprer sanger i 3/4 tiden. Mønsteret består av en basstone i begynnelsen av hvert tiltak, etterfulgt av to taktene ned og upstrokes. Demonstrasjonen går også litt inn barre akkord forklaringer, så er det noen som er nødvendig i hele melodien.

7. Boxer
Album: Simon & Garfunkel - Bridge Over Troubled Water

Boxer er sannsynligvis det beste eksemplet på Paul Simons lyd-kompleks, men elegant fingerpicking, gripende tekster som mange kan forholde seg til, og en minneverdig instrumental seksjon annonsen til mix. Demonstrasjonen går i stor detalj for å se på åpningen gitar slikke, akkompagnement plukking til versene, endre til klimprer i refrenget, og en måte å spille instrumental pause som solofinger gitar stykke.

8. Me And Julio Down By The School
Album: Paul Simon-Paul Simon

Fra Paul Simons første soloalbum, er Me And Julio en morsom klimprer sang som utelukkende tilbyr åpne akkorder. The lesson covers the introduction, which uses chords voicings played up the neck, and then settles down into a constant strumming pattern played in the key of A major. Aside from the chords changing quickly, this is probably the easiest song in this collection.

9. Duncan
Album: Paul Simon – Paul Simon

Our other song from Paul's 1st solo album, Duncan is a straightforward fingerpicking tune, similar to April Come She Will and The Boxer, although a bit faster. The lesson also includes a solo guitar arrangement of the instrumental section, originally played on wooden flutes or recorders.

10. American Tune
Album: Paul Simon – There Goes Rhymin' Simon

From Paul's 2nd solo album, There Goes Rhymin' Simon, American Tune uses mostly open chords in the key of C. The picking patterns can be done a few different ways and the lesson includes a segment that is more Campfire style, using 2 simple accompaniment patterns, as well as a more detailed segment on branching out into some of the varied and improvised techniques that really set Paul Simon apart from most other singer/songwriters.

Mississippi John Hurt Guitar Lesson Package
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Free Acoustic Electric Guitar Lessons Videos Online

Mississippi John Hurt was one of the most popular and influential guitarists in the Country Blues Style. His playing was graceful and complemented his gentle voice perfectly. Most of his songs featured Travis-style alternate bass picking, although he was generally not concerned with traditional harmony or establishing consistent patterns, as much as creating a solid and fascinating accompaniment to his songs. He commonly played in 4 different keys, and in this package we look at an example of each one, as well as a very basic instrumental to get started.

We start with Shake That Thing, a simple group of blues licks in the key of G. If you have a bit of experience with the Travis technique you should have little trouble getting this down and heading into his more complicated tunes. This is also a good place to start learning the alternating technique if you have not tried it before. Level 2

Stagolee is in the key of D and uses the 3 major chords in that key- D, G and A. It is a somewhat unusual form that is 11 bars long and uses melody notes that are all easy to reach within the chord shapes. Level 3

Land Blues Guitar Volume 1 er et kurs utviklet for å gi deg verktøy og utvikle teknikker for å spille Finger akustisk blues i stiler av de tidlige mestere; Blind Lemon Jefferson, Robert Johnson, Reverend Gary Davis, Blind Blake, Blind Boy Fuller, Big Bill Broonzy, og Mississippi John Hurt for å nevne noen, samt de av neste generasjon; Jorma Kaukonen (Hot Tuna), Stefan Grossman, Dave Van Ronk, David Bromberg, og mange andre. Kurset er presentert i seks flerdelte seksjoner; en introduksjon og fem leksjoner, og inkluderer over tre timer med detaljert instruksjon og informasjon.

Selv om du nettopp har begynt å spille gitar, vil du kunne arbeide metodisk gjennom sett med leksjoner, og med praksis være godt på vei til å spille en rekke sanger fra verden av akustiske country blues. Mange sanger fra sjangeren vil være innen rekkevidde som du avanserer, og ved utgangen vil du ha verktøy og teknikker som trengs for å spille klassikere som Candyman, Cocaine Blues, vil That Never Happen No More, Hey Hey, Sally Hvor fikk You Get Your Liquor, Keep On Truckin', I Am The Light Of This World, Spike Driver Blues, and even fairly difficult pieces like Policy Blues and Hesitation Blues. You will even start to understand how to take a chord progression and make it your own with a little knowledge of key signatures, blues scales, and improvising techniques.

The Introduction starts with an overview of the entire volume, continues with a bit of blues theory regarding key signatures and common chord progressions, and concludes with a brief discussion on some of the players who popularized the style.

Lesson 1 covers some basic concepts and techniques, starting with an explanation of the shuffle rhythm commonly used in blues, continuing with discussion and demonstrations of right hand positions and techniques, and then heading into some left hand techniques like string bending and vibrato. This lesson then introduces some exercises to get you started on keeping a steady bass pattern going while playing a few simple licks. Even an absolute beginner could master Exercise #1 with a little practice. The subsequent exercises expand on the first and are followed by Play Along segments for each one, all done with a metronome to help develop good rhythmic techniques and habits.

In Lesson 2 we learn a couple of songs in the key of E. These expand on the exercises in Lesson 1 by combining them with some chord changes and arranging them in a pattern of measures. Smokestack Blues is an 8-bar progression over 1 chord and is a variation of Howlin' Wolf's Smokestack Lightning. Blues Man takes the idea a step further and branches into a 16-bar progression using chords Iyep -IV-V in the key (EAB). Both songs are done using the Mono Bass technique in a style similar to pieces by Big Bill Broonzy, among others, and would be considered Level 1 and 2 respectively. The lesson concludes with a segment on experimenting with your own licks.

Lesson 3 introduces a song the key of A and adds the technique of Alternating Bass notes. Mississippi Blues #3 uses some hammer ons and passing bass notes between chords and is a bit more folk-blues, in the style of Mississippi John Hurt. This song is an example of a 24-bar progression, mainly because the first 8 measures are essentially repeated as the last 8 measures. It is a bit more advanced than the songs in Lesson 2 and would be considered a Level 4 song.

In Lesson 4 we look at Sand Dollar Blues, a 16-bar progression in the key of G. This uses the Alternating Bass technique as well, and introduces the idea of syncopated melody notes being played before the chord changes, an anticipation by musical definition. We also discuss chord inversions; chords with bass notes other than the root, sometimes known as 'slash' chords (D7/F#). Sand Dollar Blues is a Level 4 song and is similar to pieces by John Fahey and some simpler ones by Reverend Gary Davis.

Lesson 5, Summertime Strut is another 16-bar progression, but with a ragtime feel like more complex pieces by Reverend Gary Davis, Blind Blake, Blind Boy Fuller, and even a touch of Arlo Guthrie's Alice's Restaurant. This lesson is in the key of C and addresses the theory of using chords outside the key signature. It includes some quick changes and other left hand techniques that will require a little more time to master- stretching and moving separate fingers in different directions at the same time, and the option of using your left thumb to fret notes on the 6th string. It is a Level 5 song and completes Volume 1 of the Country Blues Guitar course.

Introduction – 3 Parts

Intro and Overview
Key Signatures and Chord Progressions
Pioneers and Messengers

Lesson 1 – 9 Parts

Intro and the Shuffle Rhythm
Right Hand Techniques
Left Hand Techniques
Exercise #1 – Mono bass in E
Exercises #2 and #3 – Mono Bass in A and E
Exercise 1 Play Along
Exercise 2 Play Along
Exercise 3 Play Along Conclusion

Lesson 2 – 8 Parts – Key of E

Smokestack Blues Play Through & Overview
Play Along
Let's Experiment
Blues Man Play Through and Structure
Break It Down
Play Along
Let's Experiment

Lesson 3 – 5 Parts – Key of A

Mississippi Blues #3 Play Through and Structure
A Look at the Left Hand
Break It Down
Play Along
Konklusjon

Lesson 4 – 4 Parts – Key of G

Sand Dollar Blues Play Through and Structure
Break It Down
Play Along
Konklusjon

Lesson 5 – 5 Parts – Key of C

Summertime Strut Play Through and Preview
Chords and Structure
Break It Down
Play Along
Wrap It Up

Emerson, Lake & Palmer Guitar Lesson Package
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Greg Lake has penned a handful of great songs for guitarists. He is of course best known as the bass player and voice of progressive rock pioneers Emerson, Lake& Palmer but his acoustic guitar songs are mini- masterpieces that feature complex and intricate techniques, as well as beautiful melodies. In this set of lessons we breakdown his five most requested and popular tunes.

We start at the beginning of ELP's catalog with Lucky Man. This is really a lesson for beginners as it uses just 4 open chords and a simple strumming pattern. This is a good song to work on coordinating singing with playing, as the rest of the lessons get a bit more complicated. Level 1

Continuing chronologically, we come to The Sage. This appeared on their live album 'Pictures At An Exhibition' , where most of the album was Keith Emerson's interpretation of the classic Mussorgsky piece but Greg composed this beautiful ballad. It uses mostly an arpeggio technique, very common in many of his songs, but includes a very challenging, classical instrumental section, which uses the hybrid picking technique of combining a pick with the fingers. Level 8

Their fourth album, Trilogy, included probably his most famous piece, From The Beginning. It features a couple of unusual chords and a percussive strumming accompaniment. This is followed by an arpeggio section that uses the standard alternating picking technique. It can be quite challenging to sing along with this style of accompaniment. Level 7

Still You Turn Me On was from their next album, Brain Salad Surgery and is played in Dropped D tuning. Greg does many of his songs, including this one, on a 12-string guitar but it sounds great on a 6- string as well. Like many of his songs, it uses unusual chord shapes along with an arpeggio accompaniment. Level 6

As ELP was winding down the first phase of their career in 1974, Greg recorded a solo single that has become a seasonal standard, I Believe In Father Christmas. This piece is also done in Dropped D and uses a simple set of 2-finger chords working their way down the neck. He plays this with the hybrid picking technique but it can be done with standard fingerstyle technique as well. Level 5

Jimmy Buffett Guitar Lesson Package
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This new lessons package includes 6 lessons. Akkurat nå tilbyr vi levetid tilgang til disse leksjonene for en begrenset tid. This video lesson series is expertly taught by Neil Hogan.

Jimmi Buffett Come Monday – Level 5

This is from Jimmy's 1974 album 'Living And Dying in 3/4 Time' and is typical of many of his tunes- mostly open chords, easy strumming, and easy to sing by many folks without real voices! This song includes a hybrid picking technique that is part arpeggio and part alternating bass, as well as transitions from picking to strumming and back, which are a sticky thing for many students.

Changes In Latitudes, Changes In Attitudes – Level 4

This was the title song from Jimmy's 1977 album that really took him out of the local Florida scene and brought him into the national spotlight. The album also featured Margaritaville. Changes In Latitudes, Changes In Attitudes is a pretty basic Campfire song in the key of D and includes a couple of barre chords. This lesson looks at a percussive strumming pattern and includes 3 short instrumental parts where the melody/lead is incorporated into the strumming.

A Pirate Looks At 40 – Level 4

From Jimmy's 1974 Album A1A, A Pirate Looks At 40 is an introspective ballad that follows a simple 12-Bar Progression in the key of G. This lesson includes various fingerpicking accompaniment techniques and really encourages the student to create their own arrangement with each performance. There is also a segment on playing it in an Open G Tuning, along with a look at the way Jack Johnson covered it.

Son Of A Son Of A Sailor – Level 4

In 1978 Jimmy Buffett released his 9th album, Son Of A Son Of A Sailor, following his breakthrough album Changes In Latitudes, Changes In Attitudes. This song is another great example of how Jimmy can take a simple progression, melody, and accompaniment and create a very catchy tune. The lesson focuses on using a pick and mostly a single- string arpeggio technique. We also take a look at playing the intro combining two guitar parts into one.

He Went To Paris – Level 4

One of his earlier songs, He Went To Paris is a song Jimmy wrote after meeting Spanish Civil War veteran Eddie Balchowsky. It appeared on his 1973 album A White Sport Coat And A Pink Crustacean. It follows (or started?) a typical Buffett formula of a one-part song, meaning a series of verses without any real chorus. It was also covered by Willie Nelson. This lesson features a simple fingerstyle accompaniment with a few variations.

Margaritaville – Level 4

Margaritaville would have to be the defining song of Jimmy Buffett's career, as well as a poignant commentary on the state of American culture. In any case, the song is very fun to play and would have to be considered a poster song for the term 'Campfire Song'. In this lesson we look at some variations in chord voicings and inversions that can be added to the chorus, as well as playing the intro and the lead in 2-part harmony.

Chord Solos Guitar Lesson Package
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A Chord Solo is an instrumental arrangement of a song that incorporates the chord progression, the melody, and the rhythm and wraps them up into something playable by a solo guitarist. They also make great instrumental sections to a song you are singing, much like the original recording might include a lead break. This set of lessons introduces some of the concepts and techniques to get you started on this journey. It is designed to teach you how to make your own arrangements, not just play some that you may have heard.

Chord Solos I
A Guide to Instrumental Arranging
Oversikt

Doobie Brothers Guitar Lesson Package
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This new lessons package includes Doobie Brothers 5+ pack. Akkurat nå tilbyr vi levetid tilgang til disse leksjonene for en begrenset tid. This video lesson series is expertly taught by Neil Hogan.

Doobie Brothers 5+ Pack

1. Listen To The Music – Level 5
Album: Toulouse Stree t

Listen To The Music is the song that brought the Doobie Brothers into the spotlight as a real rock and roll band. It was the first of many great Tom Johnston tunes that featured a driving electric guitar sound combined with catchy melodies and solid harmonies. The lesson breaks down the opening guitar riff and the strumming for the rhythm guitar parts.

2. China Grove – Level 5
Album: The Captain And Me

China Grove opens with another Tom Johnston signature riff based on power chords that then evolve into more complex chord voicings and typical rockin' harmonies. The song appeared on their 3rd album The Captain And Me in 1973. The lesson includes all the rhythm guitar parts as well as some of the background fills that happen in the chorus.

3. Long Train Runnin' – Level 7
Album: The Captain And Me

This simple but very effective riff is trickier than it sounds as it requires two fingers hammering on and pulling off to and from a full barre chord up the neck, while keeping a fast, syncopated strumming pattern going. Like many other Doobie Brothers' songs Long Train Runnin' was almost considered a throwaway bar song by Tom Johnston before he was convinced to write real lyrics and polish it up. It became one of their biggest hits. The lesson covers the rhythm guitar parts.

4. South City Midnight Lady – Level 7
Album: The Captain And Me

The Doobie Brothers were a band with a couple of different personalities and sounds. Tom Johnston's hard rockers were balanced with Pat Simmons softer, country-rock tunes. South City Midnight Lady is one of his best from a guitar player's point of view as it features a free-form accompaniment style that is part strumming and part fingerpicking. It is done in an Open G tuning, giving it even a slight nod toward slack key guitar sounds. The lesson includes specific instruction on the free form style, as well as a Campfire Version that can be strummed with a pick.

5. Black Water – Level 6
Album: What Were Once Vices Are Now Habits

This fingerpicking song by Pat Simmons shows off even another dimension in the Doobie Brothers' sound- a bluesy, southern feel. It is a simple chord progression done in Double Dropped D Tuning but includes some snappy syncopated picking as well. The lesson covers all the accompaniment guitar parts.

Bonus Tunes

6. Chicago – Level 6
Album: The Doobie Brothers

Chicago is a country blues tunes that Pat Simmons learned as a young musician in Northern California in the mid 1960s from a local performer named Billy Dean, who was also referenced in a Hot Tuna song on their album Burgers. It is a modified 12-bar blues tune played in a Travis style in the key of A. It found a home as the last track on the 1st Doobie Brothers album in 1971.

7. Busted Down Around O'Connelly Corners- Level 5
Album: The Captain And Me

Another short tune from the Pat Simmons' bag of tricks, Busted Down Around O'Connelly Corners is Pat's arrangement of another Northern California penned instrumental. This was a fingerpicking exercise put together by James Earl Luft. Pat and James were students of Alan Beilharz in the early days and spent a bit of time trading songs and ideas. The song was originally titled The Ivory Salamander but Pat renamed it in honor of another local musician from the time, Michael O'Connelly. The lesson is a basic alternating bass accompaniment to some simple melodies found in common chord voicings on the guitar

Progressive Rock Guitar Lesson Package
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Some of the greatest music of the late 1960s and early 70s was created and produced by bands that fall into the Progressive Rock category. Some of the items that put songs in this world include- extended and experimental compositions, complex harmonies and arrangements, classically influenced themes and techniques, and frequently a high level of virtuosity on the part of the musicians.

The two best-known purveyors of the style were probably Yes and Emerson, Lake & Palmer. Both featured keyboard wizardry at the hands of Rick Wakeman and Keith Emerson, dynamic bass players in Chris Squire and Greg Lake, drummers at the top of the percussion world in Bill Bruford and Carl Palmer, strong and distinctive vocalists with Jon Anderson and Lake (who was also a great acoustic guitarist), and of course Yes had one of the most astonishing guitarists of our time with Steve Howe.

Other pioneering bands for the genre would include King Crimson (with Lake on bass and vocals), and The Nice, which is where Keith Emerson started experimenting with classical themes and extended solo sections. The early days cannot be brought up without mentioning Genesis and Gentle Giant, as they were also very important in the evolution of the style.

Most Prog-Rock tunes feature complex layers of instruments and parts that really require a talented ensemble to reproduce but many songs have interesting and playable sections that can be done by a solo guitarist. This set of lessons contains exactly that and represents a range of different sub-genres.

River Of Life is from the Italian band PFM. This lesson goes over the introduction, which is really a short classical guitar piece that becomes Baroque-like with the addition of piano, bass and flute or violin (depending on the band line up at the time).

In The Land Of Grey And Pink is a tune from Caravan, a band that falls into the Canterbury sub-genre. This style features some jazzy elements, frequently with unusual chords/progressions and somewhat whimsical lyrics. It is mostly a strumming song but includes an intro that uses some 3-string chord shapes moving up the neck, along with a percussive strumming pattern.

King Crimson is one of the bands that can be credited with being one of the creators of the entire genre. Their first album, In The Court Of The Crimson King featured Epitaph, sung by original bassist Greg Lake. This lesson goes over the basic chord progression, adds some arpeggio picking, and includes a look at common variations on some of the chords.

Camel was a band consisting of Andy Latimer on guitar and Peter Bardens on keyboards, along with Doug Ferguson on bass and Andy Ward on drums. Their first album came out in 1973 and included Never Let Go, a song that almost became a hit for them. It opens with a cross-picked arpeggio before settling in to a solid rock tune with a catchy melody. It included a well worked out solo section, which is part of what makes it a Prog-Rock tune. This lesson looks at the rhythm guitar part as well as the intricate intro.

At the top of the heap in the sub-genre of Symphonic Progressive would be Renaissance, an English band featuring singer Annie Haslam whose time spent studying opera added another element to the classically influenced compositions of Michael Dunford (guitar) and John Tout (keyboards). Their song Ocean Gypsy is an example of an intriguing chord progression and dazzling melody combined with a solo section for the piano. This lesson teaches the rhythm guitar accompaniment to the entire song

The Rolling Stones Guitar Lesson Package
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The Rolling Stones have been a favorite band of guitarists and music fans alike for almost 50 years now and have been the creators of some of the greatest riff-based songs of all time. This set of lessons includes some very detailed looks and explanations of some of their songs, some simple strumming patterns, and a few that just go over the main riff or intro to one of their classics.

1) Angie

Angie, released on Goat's Head Soup in 1973, was believed to have been written about Angie Bowie, but Keith Richards actually came up with the chord progression and title as he had just named his daughter Angela. Mick Jagger apparently rewrote the lyrics about his dysfunctional relationship with Marianne Faithfull. One of the rare acoustic songs by the Rolling Stones, Angie is really a guitar duet with a straightforward accompaniment played by one guitar and lead fills by the other. The lesson covers the rhythm guitar part and included tab to a Chord Solo that Neil improvised in the Play Through Segment.

2) Paint It Black

Paint it Black was released in 1966 on Aftermath. It was written by Mick Jagger and Keith Richards, while Brian Jones' contribution on the sitar gave the song a unique texture, blending the Stones' hard rock and roll with the resonance of the sitar. The song is played in the key of D minor, but capoed to the 3rd fret, really putting it in the key of F minor. Paint It Black is a very simple song in terms of technique and the intro is a nice little picking rendition of the melody.

3) Waiting On A Friend

Waiting On A Friend is a fairly basic strumming song with a couple of notes added to C and F chords to create a little melody. This lesson goes over the simple rhythm accompaniment. Tab is included to the Chord Solo that Neil improvised in the Play Through segment.

4) Wild Horses

The Stones' recording of *Wild Horses*featured 3 guitars throughout the song, one acoustic guitar in standard tuning, another in open G (DGDGBD), and an electric playing mostly fills. This lesson looks at the basic rhythm part, playing some of the Open G parts, as well as a Chord Solo as Neil plays in the first segment.

5) You Can't Always Get What You Want

*You Can't Always Get What You Want*is really just a basic Campfire song and about as easy as it gets in the Rolling Stones' catalog. A few simple chords and a simple strumming pattern and you've got it. This lesson also talks about playing in different keys using a capo to create different sounds.

6) Bonus

The Bonus Songs in this set are from our series called *Intros, Riffs & Licks*. These lessons are usually between 5 and 10 minutes long and just go over the main distinctive or most recognizable part of a popular song. A Chord Chart and/or Tab is included, whatever is necessary, and many Rolling Stones songs would fall into this category. In this set of lessons we are including all the following songs:

Satisfaction
Brown Sugar
Honky Tonk Women
Jumpin' Jack Flash
Start Me Up

Fleetwood Mac Guitar Lesson Package
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This new lessons package includes songs from Fleetwood Mac and is 5 guitar lessons. Akkurat nå tilbyr vi levetid tilgang til disse leksjonene for en begrenset tid. This video lesson series is expertly taught by Neil Hogan teaching you some of the best guitar songs of Fleetwood Mac. Inkluderer kategorien, diagram, og Guitar Pro-filer.

1) Oh Well

Oh Well is from the early days when Fleetwood Mac was a British Blues Band led by guitarist Peter Green. Its distinctive opening riff, as well as the rest of what was considered Oh Well Part 1 are covered in this lesson.

2) Rhiannon

In 1975 Fleetwood Mac revamped their line up with the addition of guitarist Lindsay Buckingham and vocalist Stevie Nicks, and released Rumours. Rhiannon became one of their biggest hits with a great guitar riff backing Stevie's haunting vocals. This lesson goes over the fingerstyle riff with a steady bass line and the chords to the chorus, as well as tab to Neil's chord solo arrangement as heard in the Play Through segment.

3) Landslide

Landslide is a fingerpicking song by Stevie Nicks and has been a favorite of Neil's students since it was released in 1975. It uses a very regular Travis-style pattern and only open chords. In the Play Through segment Neil plays an instrumental version that incorporates the melody into the picking, a chord solo. Tab to this arrangement is included as well.

4) Never Going Back Again

The follow up album by the same line up was 1977′s Fleetwood Mac. One of the songs featured on this was Lindsay Buckingham's short guitar piece Never Going Back Again. It is a basic fingerpicking piece that Lindsay played in Dropped D Tuning but this lesson presents an arrangement in a C Tuning- CGDGBE. This has the 5th string lowered 1 step and the 6th string lowered 2 steps. It is also known as C Wahine in the world of Slack Key Guitar. Using a capo at the 6th fret allows you to play the exact same notes Lindsay played with a little less stretching required.

5) Go You Own Way

Fleetwood Mac has been bringing the world great rock tunes since the mid-1960s. Their 1977 release, Rumours included Go You Own Way, a simple but driving song by Lindsay Buckingham. This Fleetwood Mac guitar lesson looks at the electric guitar opening, played with a syncopated muting technique, the acoustic guitar accompaniment (played with a capo at the third fret), and even a bit of the first lead, played over the verse.

Gordon Lightfoot Guitar Lesson Package
Gordon Lightfoot Package – - Click Da Pic to Learn More…

Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

This new lessons package includes songs from Gordon Lightfoot and is 5 guitar lessons. Akkurat nå tilbyr vi levetid tilgang til disse leksjonene for en begrenset tid. This video lesson series is expertly taught by Neil Hogan teaching you some of the best guitar songs of Gordon Lightfoot.

1) Early Morning Rain

Early Morning Rain was written by Gordon Lightfoot and recorded by Peter, Paul & Mary, effectively bringing Gordon up the ladder into public view. His first record for United Artists, Lightfoot, presented his versions of many of his early tunes. This song is really more of a Campfire song, using a basic strumming pattern and a simple set of three chords in the key of D. It is done in Dropped D Tuning. Level 3

2) If You Could Read My Mind

Gordon Lightfoot was a well-known songwriter in the mid 1960s but in 1970 he became a household name with the release of If You Could Read My Mind. It features a gentle, rolling arpeggio fingerpicking pattern, and a relatively easy set of chords backing a beautiful melody. This guitar lesson looks at Gordon's repetitive pattern as well as how to expand and improvise a bit around it. There is also a short interlude that incorporates the melody into the accompaniment. The song is fingered in the key of G but with a capo at the second fret, putting it in the key of A. The lesson is done without the capo. Level 6

3) Sundown

Sundown is one of Gordon Lightfoot's biggest hits, and easiest songs to play. It consists of just four chords and a very simple strumming pattern. Two of the chords are unusual voicings/fingerings of an E and a B chord and the other two are A and D. This tune brought Gordon back into the public eye after 3 years of only moderate success in the airwaves. Level 2

4) Carefree Highway

Carefree Highway is one of dozens (maybe even hundreds!) of great songs by Gordon Lightfoot. This Campfire Lesson goes through the chords in the key of E, which include a few from the barre families, and some thoughts on strumming patterns. Level 5

5) The Wreck Of The Edmund Fitzgerald

The Wreck Of The Edmund Fitzgerald was a big hit for Gordon Lightfoot, from his 1976 album Summertime Dream. The song is a recount of the sinking of the freighter on Lake Superior in 1975. The lesson is mostly strumming open chords but we take a look at the opening lead fill as well. Level 3

songs from the 2000's guitar lesson package
2000′s Package – - Click Da Pic to Learn More…

Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

This new lessons package includes songs from the 2000′s and is 10 guitar lessons. Right now are offering lifetime access to these lessons for a limited time. This video lesson series is expertly taught by Neil Hogan teaching you some of the best guitar songs of the 2000′s.

1) James Blunt – Same Mistake 2007

Same Mistake was the second single released from James Blunt's album All The Lost Souls. The video featured a very unusual camera technique and the song features a rapid arpeggio accompaniment, as well as some strumming. The original was done with a capo at the 3rd fret, and although the lesson is done without it, some of the uses of a capo are discussed. Level 5

2) Jason Mraz – I'm Yours 2008

I'm Yours is a very catchy tune by Jason Mraz that uses a heavily rhythmic and percussive strumming technique with a lot of barre chords, including one outside of the normal 'A' and 'E' families. Level 5.

3) John Mayer – Why Georgia 2003

John Mayer's Why Georgia is one of the more difficult songs we have here at TotallyGuitars. This song uses very elaborate, percussive picking, as well as a somewhat difficult filler lick over a relatively uncomfortable and unusual chord, and that's just the first 2 measures. The rest of the song gets easier, a little, but don't let that scare you off! Level 8

4) Dave Matthews – Where Are You Going 2002

Another great strumming song from Dave Matthews, Where Are You Going appeared on the Dave Matthews Band album Busted Stuff in 2002. It uses some of his typical extended chords, ones with notes outside the normal major, minor and seventh combinations, is strummed with a basic pattern hitting bass notes on beat one. The lesson presents the chords in tab and generally addresses the strumming without getting too specific. Level 5

5) Pearl Jam – Just Breathe 2009

Really a solo guitar song by Eddie Vedder, Just Breathe is a fingerpicking tune much like Dust In The Wind or Blackbird. One of the similarities is that the picking is easy but very fast. This was released in October 2009 on the Pearl Jam album Backspacer. Level 4

6) Ray LaMontagne – Beg Steal Or Borrow 2010

Ray LaMontagne recently hit the current scene with a throwback sound and look, along with some great songs. Beg Steal Or Borrow is pretty much a folky campfire song that just uses a steady strumming pattern over mostly open chords. The song was nominated for a Grammy Award in the US for 2010. Level 3

7) Tom Petty – I Should Have Known It 2010

This Lesson has an interesting history. Neil was very surprised and impressed with this recent Tom Petty song, I Should Have Known It, and also ran across a teaching competition going on at Ovation Guitars. He put together a short lesson on the song and entered the contest with it. For some unknown reason Ovation chose not to publish the entry but we are bringing it out for our members. Neil's lesson combines a couple of guitar parts into one that is done in a G6 tuning, lowering the 5th and 6th strings 1 step. It is a great example of a solid riff-based tune framed in a modified 12-bar blues format. Level 5

8) Train – Hey Soul Sister 2009

With the lesson on Hey, Soul Sister, we take a look at another very catchy song that is part of the current music scene. Lead singer Pat Monahan said they were trying to write something in the style of INXS but as it evolved he was not happy with the sound. Maybe it was because it followed the classic 'Pachelbel Progression', IV-vi-IV, also found in songs like Let It Be, With Or Without You, and Jason Mraz's I'm Yours, to mention a few of the thousands in this category. In any case, once band mate Espen Lind strummed it on the ukulele, he was convinced that they had found the right recipe. In this short lesson we look at chord voicings that sound much like the ukulele. Level 5

9) Incubus – Drive 2001

Drive is probably Incubus's biggest hit and released in late 2000 on their album Make Yourself. It is really just a solo acoustic accompaniment to a very melodic tune that uses a few unusual chord shapes. It also features some syncopated changes making the strumming a bit challenging as well. Level 4

10) Guster – Do You Love Me? 2010

Guster is another band that has been putting out some catchy tunes over the last decade, most of which could be considered Campfire Songs and feature acoustic guitars using simple strumming patterns. Their 2010 album Easy Wonderful included Do You Love Me, a great example of their up-beat pop sound. This lesson is done in a 'Work It Out' format, where the first few video segments focus on ear training and figuring out the chord progression yourself. If you decide to try this approach, I recommend not looking at the chart until you have gone through ear training segments. The entire song is taught completely and in the usual manner in the last segment. Level 3

Classical Guitar Lesson Package
Classical Guitar Package – - Click Da Pic to Learn More…

Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

Our dear friend and Classical Guitarist/Teacher extraordinaire Hector Garcia has contributed a set of intermediate to advanced lessons that are now available in one package. The pieces cover a wide range of styles from different eras.

1) Greensleeves

Greensleeves is a traditional English Folk song. The piece was probably composed before the year 1580 since a ballad by this name was registered in that year. Nobody knows who the composer of Greensleeves is, although there is a persistent belief that the piece was composed by Henry VIII. Greenleeves is also mentioned in some of Shakespeare's works. Through the centuries, Greenleaves has been a beloved piece. There are many instrumental and song type versions. The guitar arrangement that is used for this lesson includes a main theme in traditional stile plus two variations. The first variation uses a set of arpeggios that follow the classical style from the 1800s. The 2nd variation is stylistically closer to the original theme. It has some counterpoint and ornaments that are found in renaissance music.

2) Lagrima

Lagrima is one of the simple preludes for guitar composed by the great Spanish guitarist Francisco Tarrega (1852-1909). The piece is very popular among classical guitar students. There are several recorded versions of Lagrima, including the ones done by Andres Segovia and Julian Bream. Consistent with other Tarrega compositions, Lagrima is an intimate piece that requires a careful observation of the instrument's palette of sounds.

3) A Time For Us

Many pieces of the original melody lend themselves very well to a guitar transcription, and keeping the harmony with chords and bass notes is manageable. However, the three voices played in counterpoint on a six-string guitar with only two hands has led to many guitarists of varying levels creating their own arrangements with a huge range of accuracy and difficulty. Hector Garcia's arrangement is done in Dropped D Tuning (DADGBE) and features the opening chord progression and a dozen or so variations on the melody, ranging from Level 4 to Level 8. We encourage guitar students to tackle this masterpiece in small chunks, the equivalent of 4-measure sections in this arrangement.

The Kinks Guitar lesson Package
The Kinks Package – - Click Da Pic to Learn More…

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The Kinks were one of the British pioneers in the new sounds that were developing in the 60s. Led by songwriter Ray Davies and his brother Dave, they were a band with many different styles, ranging from pre-punk to acoustic ballads, with even a touch of jazz at times. This pack includes short lessons on two of their power chord/riff style songs, as well as extended lessons on three of their more complex tunes.

1) You Really Got Me

You Really Got Me was the 1st big hit for the Kinks, just when they were on the verge of being dropped by their record company. Neil considers it one of the 1st, and best examples of 'Caveman Rock'. It uses 2 power chords in a very simple theme that is then repeated at 3 different spots on the neck. This is a great place to start your excursion into sliding power chords.

2) All Day And All Of The Night

All Day And All Of The Night was the second hit for the Kinks, on the heels of You Really Got Me. It also continues the 'Caveman' concept and takes it up a notch with the addition of some full barre chords, including some from the 'A' family, which really require 2 barres. The riff is a bit more complex as well.

3) Lola

Probably the most famous tune by the band, Lola came out in 1970 on their album Lola Versus Powerman and the Money-Go-Round. It is a relatively simple strumming song but includes some barre chords and syncopated changes.

4) Sunny Afternoon

A song that many people don't even know was them, but they can immediately identify is Sunny Afternoon. It was written by Ray Davies and is a very quirky look at life with money. The chord progression is based on a descending bass line in a minor key and has a somewhat jazzy feel.

5) Waterloo Sunset

Waterloo Sunset began in Ray Davies head as Liverpool Sunset, partially owing to his fondness for the Merseybeat sounds of bands coming out of Liverpool at the time. The song featured a strumming acoustic guitar with a short lead using a tape-delay echo effect, a sound that had been popular a decade before but then forgotten. This Target lesson incorporates the lead part with the rhythm and occasional bass runs to create a very full texture.

Led Zeppelin Guitar Lesson Package
Led Zeppelin Package – - Click Da Pic to Learn More…

Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

Led Zeppelin would have to be considered one of the greatest bands in rock history. They had quite a range of styles and sounds due to the combination of talents and virtuosity of Jimmy Page, Robert Plant, John Paul Jones, and John Bonham. This package includes songs from their first five albums, some acoustic classics as well as some of their riff-based, power chord songs. These lessons concentrate on the rhythm guitar parts, as Page's leads are generally improvised solos, and a completely different subject. The Bonus Songs are generally shorter lessons that cover the important parts of each song without going as deeply into all the specifics. All these lessons are presented the way Neil teaches them to his students and are very accurate acoustic versions of Jimmy Page's songs.

1) Babe I'm Gonna Leave You

Babe I'm Gonna Leave You is an acoustic fingerpicking song played using arpeggios (chords played one string at a time). It uses a repetitive 4-mote pattern and the challenge is to keep all notes ringing as long as possible. Jimmy Page took credit for arranging it as a traditional tune when it appeared on the first Led Zeppelin album. Page and Robert Plant had heard it on a Joan Baez album and later added the real author, Anne Bredon to their credits.

2) Heartbreaker

The second Led Zeppelin album (Led Zeppelin II) included some great riff-based songs. Heartbreaker has to be one of their best and proved to be the inspiration and model for hundreds of songs that followed it. The recording also featured a classic improvised, unaccompanied guitar solo by Jimmy Page that was later edited into the released version. This lesson looks mostly at the riff and rhythm guitar parts.

3) Tangerine

Tangerine has been one of the leading requested songs here at TG for quite some time. Jimmy Page had the basic idea for the song developing while he was with the Yardbirds and they recorded the prototype as 'Knowing That I'm Losing You.' In 1970 he resurrected and recorded it on Led Zeppelin III, their most heavily acoustic oriented album. Although the song was played on a 12-string, tuned down one half step, with the addition of a mandolin, the acoustic guitar part is the main part of the sound. This lesson goes over the rhythm guitar part, paying particular attention to picking out the moving melody notes and getting the offbeat chord changes just right.

4) Stairway To Heaven

Stairway To Heaven would probably have to be considered one of the greatest songs in rock history, as well as a very important song for all guitar players to learn. It encompasses many techniques from fingerpicking arpeggios to strumming partial chords moving up the neck, and of course a killer lead to close the epic. This lesson covers all the rhythm guitar parts.

5) Over The Hills And Far Away

Over The Hills And Far Away is from Led Zeppelin's fifth album Houses Of The Holy, and is a great example of Jimmy Page's effective use of syncopation and complex acoustic picking and strumming, as well as quick hammer-ons and pull-offs. This lesson focuses mostly on the acoustic intro but also addresses the power chord riffs that appear later.

Bonus Songs

Whole Lotta Love became one of Led Zeppelin's early signature songs after it was released on Led Zeppelin II and is one of the simplest Jimmy Page riffs ever. This short lesson is part of our /Intros, Riffs & Licks/ series and covers the basic riff and chord changes.

Black Dog features some great elements that are challenging on many different levels. It starts with a simple minor pentatonic scale, adds a trill here and a bend there, and combines rhythmic figures that are best played with the steady alternating technique. He then takes a phrase based on the main one and creates a variation with an unusual beat pattern that turns the picking upside down. This is another short lesson from our /Intros, Riffs & Licks/ series.

The Ocean is another classic Jimmy Page riff-based song, which first appeared on Houses Of The Holy in 1973. The riff is a great example of how Jimmy Page uses changing time signatures to great effect.

The Grateful Dead Guitar Lesson Package
The Grateful Dead Package – - Click Da Pic to Learn More…

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This pack includes some of the Dead's most melodic songs, presenting mostly rhythm guitar parts but also including a couple of chord solos, where the melody is incorporated into the strumming. The set includes a few songs from their acoustic heyday, the early 70s, and one from their later days when they wrote about aging a bit. All of the songs are played with a pick and include charts with the chords and lyrics. Some lessons include tab for some specific parts.

1) Friend Of The Devil

Female Song Writers Guitar Lesson Package
Female Song Writers Package – - Click Da Pic to Learn More…

Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

In this package we bring together a half dozen songs by some of the female songwriters and singers who have helped shape the course of music over a couple of generations.

1) The Circle Game

Joni Mitchell came on the scene in the late 1960s with an approach to songwriting using unusual open tunings. These made for interesting sounds and were not too difficult to play, once you were in the right tuning. The Circle Game is from her 3rd album, Ladies Of The Canyon, and is done in Open G Tuning with a capo at the 4th fret.

2) Gold Dust Woman

Gold Dust Woman, by Stevie Nicks and from Fleetwood Mac's Rumours album, is a song that can be played many ways. This lesson looks at fingerpicking it in Dropped D Tuning as well as a simplified way, strumming it in standard tuning. The fingerpicking version is mostly a basic pattern but includes a couple of more sophisticated techniques as well.

3) Closer To Fine

Closer To Fine was one of the first hits for The Indigo Girls, Amy Ray and Emily Saliers, and has remained one of their most popular for over 20 years. The song features some quick strumming using a fairly easy set of chords, which act as a perfect accompaniment to their tightly woven harmonies.

4) Fields Of Gold

Eva Cassidy has become widely known as a phenomenal interpreter of songs from many eras. Unfortunately, this has all been after her untimely passing at the age of 33 in 1996. She had the ability to create simple guitar arrangements to act as the perfect backdrop to her incredible voice. In this lesson we look at her take on Fields Of Gold, written by Sting and originally done on his album Ten Summoner's Tales.

5) Strong Enough

Sheryl Crow is the author of many great tunes over the since the early 1990s. Strong Enough was released in 1994 on her album Tuesday Night Music Club and features some slightly unusual chords in the unusual time signature of 6/4. Otherwise, it is a pretty straightforward fingerpicking song.

6) Love Story

We take a step into the contemporary-country-pop world with a song that Neil has taught many of his younger students, particularly teenaged girls, Love Story by Taylor Swift. Taylor writes most of her songs and many feature the banjo. This lesson looks at playing the banjo part on the guitar in an alternate tuning and strumming away.

The Moody Blues Guitar Lesson Package
The Moody Blues Package – - Click Da Pic to Learn More…

Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

The Moody Blues were pioneers in bringing symphonic sounds into the world of rock and roll. Their 1967 album Days Of Future Passed is even considered one of the forerunners of the progressive rock movement that evolved into the 1970s. Their sound took on a slightly more pop/rock feel over the next decade and we now have many great guitar songs, mostly written by Justin Hayward, but John Lodge, Mike Pinder, Ray Thomas and Graeme Edge all made significant contributions.

1) Nights In White Satin

Nights In White Satin is from Days Of Future Passed and is a basic strumming song. This short lesson goes over the chord progression and includes a bit on understanding time signatures.

2) Tuesday Afternoon

Tuesday Afternoon, written by Justin Hayward, contains one of his signature sounds- a catchy guitar intro. This lesson includes tab to both the way it was done in 1967 as well as Justin's more recent solo versions.

3) Question

Question, from album A Question Of Balance, has been an elusive song to many guitar students for years. It was played by Justin Hayward on a 12-string guitar in Open C Tuning (CGCGCE), and included a very quick strumming sequence in the first part of the song. The second part was actually a different song until Justin realized they went well together, being in the same tuning. This lesson looks at a way of simplifying the strumming, as well as doubling the speed for the original sound.

4) Melancholy Man

Melancholy Man is also from A Question Of Balance and was written by Mike Pinder, the man responsible for bringing the orchestral sound of the Mellotron to the Moodies. It is a simple 3-chord progression in the key of D Minor and includes a haunting, descending melody line, which is incorporated into the guitar accompaniment for this short lesson.

5) The Story In Your Eyes

The Story In Your Eyes includes one of the best opening guitar riffs of all time. It is really just built around a set of A and A minor-shaped chords moving up the neck and not too difficult to play, although the timing is a bit tricky. The rest of the song is simple, but fast-paced strumming. This is from the album Every Good Boy Deserves Favour.

6) The Voice

In the late 1970s The Moody Blues reconvened with a bit more commercial sound and continued releasing some great songs, mostly penned by Justin Hayward. The Voice is from their 1981 album Long Distance Voyager and presents a fascinating chord progression, using chords from many different keys. This lesson is presented in our 'Work It Out' style where you are encouraged to figure out the chords by ear, with many hints and suggestions from Neil. If you choose to try this approach we suggest not printing the chart until you have gone as far as you can. The entire song is taught in Part 6.

Instrumentals In Open G Tuning Guitar Lesson Package
Instrumentals In Open G Tuning Package – - Click Da Pic to Learn More…

Gratis Akustisk Elektrisk gitar leksjoner videoer på nettet

Open G Tuning has been a favorite of guitar players going back to Robert Johnson and the early bluesmen, and still popular today thanks to people like John Fahey and Keith Richards. It is also one of the most common Slack Key tunings among Hawaiian guitar players where it is known as Taro Patch Tuning. This set of lessons includes mostly Neil's arrangements of intermediate-level songs.

1) Here Comes The Sun

Here Comes The Sun is of course George Harrison's classic from Abbey Road. This arrangement is in the Slack Key style using a steady alternating bass accompaniment.

2) Hula Blues

Hula Blues is a popular Hawaiian song from the first half of the 20^th century. This arrangement is based on one by Neil's friend Hall Kinnaman, who teaches guitar and ukulele on the island of Kauai. It features many of the signature licks we associate with the slack key sound.

3) Give Me Cornbread When I'm Hungry

John Fahey was once of the most influential American guitarists from the time he entered the music scene in the late 1950s. He played in many open tunings, generally with fairly simple chord shapes but complex picking patterns, and heavily inspired the next generation of players, notably Leo Kottke, among others. In this lesson we look at Give Me Cornbread When I'm Hungry. It features a few sections revolving around different chords in the key of G. The main point of this lesson is to take some of his ideas and change them around, really improvising and recreating the song every time you play it.

4) Buffalo Gals

Buffalo Gals is an American folk song from the mid-19^th century. Neil's arrangement makes for pretty simple chords and left hand moves. The right has one section using standard alternating bass technique but another using what he calls an eighth note roll, where there are only three bass notes in each measure, played in a syncopated pattern. Overall not too difficult, as long as you start very slowly and get it smooth before speeding it up.

5) Take Me Out To The Ball Game

Open G presents the opportunity to make fairly simple arrangements out of many traditional tunes. Neil has arranged Take Me Out To The Ball Game as an example of this. The song is in 3/4 time, using a modified alternating bass pattern, which makes it a little different and somewhat challenging at first.

Online Music Communities

Imagine you're at a music concert and you're lucky enough to stand right next to the stage.
The band starts to play and the crowd screams along the lyrics of a famous song.
It's time for the chorus and the lead singer sticks out his microphone for the audience to sing along and it's in front of your face.
You mumble the wrong words or just keep silent and everybody stares at you. Embarrassing, right?

Okay, maybe that doesn't happen too often, but say you heard a song on the radio that you really liked and either can't find, or just wanna know the words to sing along.
That's when lyrics websites come in handy, the best of which not only help you find a song by typing a couple of words from memory, but also to learn its lyrics, read the translation from a foreign language, find out about the song and the artist.

MotoLyrics.com is a huge online music community, but unlike other similar websites it's not only about the lyrics (although it does have a 1 million song database, which is growing by the minute).
Aimed at music lovers of all ages and tastes, MotoLyrics.com offers a variety of other music related entertainments like hundreds of music videos (by the way, kudos to the developers for including a song video to each lyrics page, it makes the whole experience a lot more fun), song translations, show biz news, artist bios and info.

Folding Travel Guitar Seen on GMA
Voyage Air VAOM-02 Folding Orchestra Acoustic Guitar (with Gig Bag)

SameDayMusic.com

The VAOM-02 'OM-style' guitar is available with a slimmer, lighter backpack case that makes them the easiest-traveling full-size acoustic guitars on the market! Now almost anyone can afford to take along a great sounding, easy playing guitar… wherever they go!


Voyage Air VAD-04 Folding Acoustic Guitar with Gig Bag

SameDayMusic.com

For the discerning musician on the go, the Voyage Air VAD-04 Folding Acoustic Guitar with Gig Bag features the rugged strength of select African Mahogany, coupled with the resonance of a solid Spruce top.
Voyage Air VAOM-04 Folding Orchestra Acoustic Guitar with Gig Bag

SameDayMusic.com

For the discerning musician on the go, The Voyage-Air VAOM-04 Songwriter Series guitar feature the rugged strength of select African Mahogany, coupled with the resonance of a solid Spruce top.

ChordBuddy Guitars – Quality and Affordability

ChordBuddy Guitars

There are full size acoustic guitars and youth sized guitars. All have a ten-year warranty and a guarantee of quality. A guitar teacher owns ChordBuddy and the back up service is one you can trust if you have any queries or need help at any stage. There is a guitar to suit everyone in some sensational colours and finishes. All come with gig cases and will suit beginners to experienced players alike. You can build up your experience and repertoire with some great instruments that are well made and professionally designed.

With such affordable prices and the revolutionary ChordBuddy easy way to learn to play, there is no need to hold back on your dream of playing guitar, just get in touch with Travis Perry today, and go through all of the options to make sure to get the guitar that will suit you. Who knows, your new guitar could be your stepping-stone to fame and fortune! Click here for Free Guitar Lessons

ChordBuddy Guitars.

Easy Blues Guitar Riff W/O ChordBuddy

Easy Blues Guitar Riff Without ChordBuddy on Shark Tank

Get some Free Guitar Lessons

Here's a short video I made for my friend John. No silly gizmos or gadgets, just a simple scale progression. John is working on these Free Blues Guitar Sample Lessons after reading the reviews. He got tired of strumming Amazing Grace :)

Click here for Free Guitar Lessons

Enjoy.

The ChordBuddy Guitar Learning Package

Chordbuddy is the brainchild of Travis Perry a guitar teacher of 30 years. The device attaches to the neck of an acoustic or electric guitar and is colour coded for each of the chords. All that needs to be done by the player is push one of the coloured buttons on the Chord Buddy and begin to strum away. It is that simple and you can be playing the guitar in just one day. Better still; the system is one that you can work through on your own without a guitar teacher as ChordBuddy gives you ChordBuddy Guitar Learning Package everything you need to know about in one simple system. The company admits it is a bold claim but they say, “You won't find a better way to learn to play the guitar anywhere else!”

Get some Free Guitar Lessons

What is so unique about ChordBuddy is it gets you playing the guitar from Day One. It makes learning to play the guitar fun and easy. It allows much faster progress than conventional guitar playing systems, is not dull, and is not hard work at all. It is a proven, effective all in one system suited to all ages. The ChordBuddy is kind to your finger tips so you will not get sore as you build up to using the chords on your own over a two month period, thus allowing your fingers to adjust to the strings gradually.
As soon as the ChordBuddy is attached to your acoustic or electrical guitar, you will be able to make music. Within a few weeks following the easy play system, you will begin removing some of the tabs and making the chords on your own. In as little as two months, you will be able to play the guitar without the ChordBuddy !

The ChordBuddy Guitar Learning Package